10 Questions with Reshmi Pillay

Reshmi Pillay holds a Bachelor of Fine Arts (BFA) degree in painting from Amity University in India and is currently pursuing a Master of Arts (MA) in painting at Manchester Metropolitan University. While her work ethic is unquestionable, her exceptional artistic talent truly shines in her deliberate use of dark and enigmatic backgrounds in her watercolor creations. These meticulously chosen backgrounds act as a captivating backdrop, allowing her to intricately weave a narrative of mystery that beckons observers to explore the depths of their own creativity. Her ultimate aspiration is to construct a storyline that surpasses a singular perspective, nurturing a diverse tapestry of viewpoints and revelations. It is within this intentional ambiguity that she discovers a profound form of beauty. Each individual's distinct viewpoint acts as a unique prism, refracting the very essence of her art and infusing it with layers of intricacy and intimacy. This dynamic interaction between the artist and the audience not only deepens the emotional connection but also raises the artwork to a domain where emotions and interpretations blend harmoniously, resulting in an immersive and enriching experience for all involved.

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ARTIST STATEMENT

When experimenting with watercolors, she often begins by sketching a couple of objects on watercolor paper or alternative surfaces to observe how the paint interacts. Captivated by intriguing subjects like abandoned items, she frequently snaps outdoor photos to serve as inspiration for her art. Achieving a harmonious blend between the subject and its surroundings is paramount to her, ensuring a balanced composition. Typically opting for dark or somber backgrounds, she aims to create a sense of mystery and intrigue in her artworks. While her depictions may lean towards ambiguity, with viewers sometimes struggling to discern the object portrayed, she finds beauty in the different perspectives that emerge. Each observer brings a unique interpretation to the piece, offering varied insights while the essence of the object remains consistent across diverse viewpoints, thus fostering a deeper connection between the artwork and its audience.

The various surfaces upon which watercolour is applied exhibit unique characteristics and influences on the medium. In her typical watercolour practice, she tends to forego leaving blank spaces on the paper. However, her recent venture into exploring the use of fabric as a canvas for watercolour painting led to intriguing discoveries. When watercolor pigments met the fabric's surface, a fascinating dispersion effect took place, altering the color's integrity. This phenomenon unveiled a new dimension to her artistic endeavour, highlighting how the choice of fabric can significantly impact the texture and overall outcome of watercolour artworks. She found that various fabrics, such as silk or cotton, offer distinct textures that influence the outcome of the painting. Moreover, her curiosity extends to experimenting with how light filters through the fabric, revealing an array of mesmerizing effects and interpretations that imbue the artwork with multiple layers of meaning and depth. Intriguingly, her curiosity now extends to exploring the interplay of light passing through these fabric-based watercolor creations, as she anticipates discovering the diverse effects and nuanced meanings that such manipulation of light can bring to her art.

INTERVIEW

Can you share some insights about your early life and what first drew you to painting and watercolor as your preferred mediums?  

I used to have a strong inclination towards acrylic paint colors in my art endeavors. Whenever I sat down to create, I would often choose acrylics to bring my ideas to life. Additionally, I would carefully select one or two objects to incorporate into my pieces, using them as tools to convey the messages and emotions I wanted to express. Surprisingly, despite this deep-rooted affinity for acrylics, I never found myself drawn to watercolors. However, a significant shift occurred in my artistic journey in 2023 when my perception of colors began to evolve. It was during this period that I decided to step out of my comfort zone and experiment with watercolors. To my pleasant surprise, the results were extraordinary when I sketched a closed box on the delicate watercolor sheet. I made a conscious choice to fill every part of the surface with sober hues, ensuring that there was no untouched white space left behind. This newfound appreciation for watercolors opened up a world of possibilities for me as an artist, allowing me to explore different painting techniques and styles. The process of delving into watercolor art brought a fresh dynamic to my creative expression, enriching my artistic journey in ways I had never imagined.

What formal training or education have you had in the arts, and how has it influenced your technique and style in painting and watercolor?

Having pursued a BFA in painting, I initially found that the program did not significantly impact my technique. However, a pivotal shift occurred post-graduation as I immersed myself in drawing numerous illustrations on paper. Before coming to Manchester Metropolitan University,  I took half a course in M.A. from India, where I was influenced.  Unsatisfied with the results, a breakthrough emerged as I ventured into experimenting with watercolor sheets. This leap of faith bore fruit when my artistic vision found resonance with the new medium, marking a turning point in my approach. Encouraged by this success, I delved deeper into portraying various objects on watercolor sheets, revealing a newfound style unique to my expression. Inspired by this newfound creative direction, I even ventured to capture the essence of a discarded object that intrigued me through photography, subsequently transforming it into a stunning watercolor artwork.

Who or what have been your biggest influences and inspirations in your artistic journey?

My inspiration comes from René Magritte, who confused the viewers with his painting. One of his notable works, "Empire of Light," exemplifies his ability to blur the boundaries between day and night, leaving the observer in a state of ambiguity akin to his unique perspective. During my academic pursuit of a Master's degree in India, a pivotal moment arose when a professor introduced the concept of abandoned objects to me. This revelation sparked a new direction in my artistic endeavors, encouraging me to explore the narrative potential of objects that may appear mundane yet hold intriguing stories. These abandoned objects, whether casually strewn around or capturing one's attention with their silent presence, became a central theme in my painting practice, guiding me toward a deeper understanding of storytelling through art and fostering a sense of creative evolution within my work. 

Could you walk us through your creative process? How do you start a new painting or watercolor piece, and what steps do you take to bring it to completion?

In my creative process, I begin by capturing images of abandoned objects that resonate with me or sketching out the essence of an object I aim to portray in my paintings. For the images I have shared with you, I specifically took a piece of fabric and illustrated the object I sought to depict artistically. My preference leans towards using somber or dark hues to convey the depth of emotion I intend, with a particular focus on intricately weaving together various layers of fabric and textures to create a visually stimulating piece. Upon completion of the piece, I meticulously crafted a lightbox, placing an LED light source within it, allowing for a beautiful diffusion of light to radiate through the intricacies of the fabric, unveiling a mesmerizing interplay of shadows and highlights.  

What do you find most appealing about working with watercolor compared to other painting mediums, and how do you address the unique challenges it presents?

Watercolour paint is known for its non-sticky nature, a stark contrast to the texture of oil paint. One significant challenge I faced with watercolour painting was the inability to easily correct mistakes once they occurred. Unlike other painting mediums, rectifying errors in watercolour required extensive reworking of the entire piece. I came across a particularly demanding situation when attempting to paint on fabric, as the absorbent material caused the watercolour to dilute rapidly. To achieve the desired depth and vibrancy, I had to patiently layer multiple coats of watercolour, a meticulous process that demanded a considerable amount of time and attention to detail. Despite the challenges encountered, the experience taught me valuable lessons in patience and perseverance.

What recurring themes or subjects do you explore in your work, and what draws you to these particular themes?

I have always found a sense of wonder and fascination in capturing the beauty of abandoned objects that catch my eye, evoking a curiosity within me as to what stories lie behind their forsaken presence. These objects, scattered through forgotten places, serve as a canvas for my exploration of the hidden narratives and mysteries that linger in the shadows. Delving into the obscure corners of the world, I seek to shed light on the forgotten, infusing my photographs with a sense of intrigue and contemplation. Beyond photography, I also channel my creative spirit through painting, using it as a meansto express the myriad emotions and reflections that stir within me in response to the darkness and enigmas that envelop our reality. Through this visual medium, I translate my innermost thoughts and perceptions into art. In this way, my artistic endeavors become a gateway to not only exploring the external world but also delving deep into the recesses of my soul, uncovering layers of meaning and significance that transcend the boundaries of the visible and the tangible.

Can you share some of the specific techniques you use in your watercolor paintings to achieve the effects you desire?

In the process of creating artwork, a sequence of specific techniques is employed to bring the vision to life. Initially, the artist captures the essence of the object by meticulously drawing its form with attention to detail. Subsequently, a vital step follows where the background is meticulously painted following the object's presence, which could also be influenced by the artist's emotional response to the subject. To create a sense of fluidity and movement within the artwork, the artist then skillfully manipulates the paper by gently lifting it both downwards and upwards. This simple yet effective technique allows the watercolors to flow and blend organically, enhancing the overall composition through subtle shifts and gradients. By mastering these techniques, the artist can evoke a sense of dynamism and depth within the artwork, leading to a more engaging and visually captivating final piece. Each step in this artistic process contributes to the creation of a harmonious and expressive work of art that not only reflects the intended subject but also conveys the artist's unique perspective and interpretation.

How have exhibitions and audience feedback influenced your work and growth as an artist?

Exhibitions play a crucial role in increasing my visibility as an artist and connecting me with potential opportunities to showcase my work in diverse settings. These showcases not only enhance recognition but also provide a platform for networking and establishing fruitful contacts within the art community. It is essential to acknowledge that feedback, while valuable, can vary in its impact on our artistic endeavors. Hence, I believe in selectively considering input from individuals who resonate with my creative vision and bring a positive influence to my work. By selectively filtering feedback sources to align with my artistic philosophy, I can ensure that the advice and critique I receive are insightful and contribute meaningfully to my artistic growth. In cultivating relationships with like-minded individuals who understand my artistic language and ethos, I create a supportive network that nurtures my creative expression and fosters authentic artistic development.

What projects are you currently working on, and what can your audience look forward to in your upcoming work?

On the generously sized A1 watercolour sheet that provides me with ample space for artistic exploration, I meticulously sketched intriguing tiny abandoned objects that captured my attention during the photographic process. Concurrently, as I transition to the contrasting black sheet awaiting my creative touch, I eagerly anticipate delving into experimental techniques such as utilizing bleach or oil in combination with vibrant dyes. Through this dual approach, I seek to not onlycapture the physical appearance of these abandoned objects but also to imbue them with a sense of mystery and transformation, inviting viewers to contemplate the hidden stories and emotions that may lie beneath the surface of seemingly mundane items.

Lastly, looking ahead, what are your goals and aspirations for your artistic career? Are there any new techniques or themes you are excited to explore in the future?

I plan to submit my works for the exhibition by responding to the open call to showcase both my creativity and talent. Following that, I aim to participate in additional exhibitions to gain more exposure for my art. In conjunction with exhibiting my works, I also intend to apply for various artist residencies to further develop my skills and network within the artistic community. One of the techniques I am excited to explore during these opportunities is experimenting with bleach and oil dyes on a black sheet, as I believe this unconventional method will help me create unique and visually striking pieces. By engaging in these activities, I strive to not only elevate my artwork and push the boundaries of my creativity but also aim to establish myself as a prominent artist in the contemporary art scene. The exhibition and potential residencies not only serve as platforms for presenting my creative vision but also as opportunities for personal and artistic growth, enabling me to refine my skills, expand my artistic horizons, and connect with fellow artists within the community. 

Artist’s Talk

Al-Tiba9 Interviews is a promotional platform for artists to articulate their vision and engage them with our diverse readership through a published art dialogue. The artists are interviewed by Mohamed Benhadj, the founder & curator of Al-Tiba9, to highlight their artistic careers and introduce them to the international contemporary art scene across our vast network of museums, galleries, art professionals, art dealers, collectors, and art lovers across the globe.