Haochen Ren is an independent London-based artist. Over the most recent two years of his practices, the exhibition as a medium has been seen as his primary research direction. Exploring the possibility of constructing cognitive experiences through the concept of "exhibition" not only supports his practice at this stage but also serves as a fundamental step in exploring "how art and exhibition can provide a decentred platform”.
INTERVIEW | Angel Jiaqi Qin
Angel Jiaqi Qin is a post-human image weaver. Having lived and studied in Rochester, New York, Beijing, and London, Angel's practice seeks out an exploration of disruptions in the otherwise straight, smooth, and flat narratives. She weaves patterns of imagery from a non-human-centric perspective, questioning the ontological nature of humanity and its relationship with ecology.
INTERVIEW | Wen Liu
Wen Liu is a Chinese-born artist and interaction designer currently based in Beijing, China. With over a decade of experience in the United States and Europe, she brings a diverse cultural perspective to her practice. Wen's artistic journey revolves around exploring connections between individuals, nature, and environments, through sculpture, painting, and installation.
INTERVIEW | Jing Zhao
Jing Zhao is Chinese artist, born in Shanghai and currently based in Brooklyn, New York. explores ideological transformations in this time of accelerated information circulation and cultural diaspora. Zhao was trained as a photographer, and her research-based practice is rooted in the tradition of conceptual art. As a result, she works across a broad range of mediums.
INTERVIEW | Kexin Liu
Kexin Liu is a Chinese multi-disciplinary artist and design researcher based in the UK. Kexin has a fascination with everything queer & peculiar. As a generalist, she particularly enjoys developing simple, yet unexpected art narratives/design solutions based on extensive research and collaboration with people from various disciplines. Her latest projects are 2065 and Lost in Translation.
ON KAWARA: ONCE IS ENOUGH; TODAY SERIES
Billy De Luca is a non-fiction and short story writer and visual artist practising in Madrid. His fields of knowledge are based in the arts and culture spheres, including fashion, contemporary and modern art, and travel. His cultural background has heavily influenced his perspectives. In this article, he delves into the production and ultimately the core meaning of Japanese conceptual artist On Kawara.