Ronald Gonzalez is a contemporary figurative artist based in upstate New York. Since the mid seventies the artist has worked from his garage studio creating elegiac sculptures and installations that are embodiments of death and loss infused with grotesque narrative, and pathos. Gonzalez works primarily in a series with steel armatures and macabre collections of time worn objects, and detritus from his surroundings. The work is then further eroded with metal filings, burned wax, glue, wire, and black soot creating a dramatic tonal range that both obscures and reveals anthropomorphic heads, torsos and figures that appear as charred fetishistic mementos possessing a visceral quality imbued with a sense of primal energy and distress that permeates his work. His obsessive production of angst-ridden sculptures explore the emotive, social, and psychological associations of decaying found objects that function as autobiographical metaphors charged with potent and recurring symbols with childhood and nostalgic references. Gonzalez’s sculpture is mournful, confrontational, and estranged, standing on the border between human personage and doomed phantom. His restless investigation of animating materials has produced an art of dissolution with archaic, apocalyptic, and quasi-alien elements that convey an animistic mode of thought and intensely evocative expression of the human condition.

Gianni Lucchesi was born in Pisa in 1965 where he lives and works. He is a painter, sculptor and designer. He has made important public works by installing large iron sculptures, a material that he prefers for his symbolic value. For paintings he frequently uses materials according to the concept of the work, often putting in relation chemical solutions that are incompatible with each other. He has designed and produced museum, theater and cinema sets. In 2002 he created the "Opus" installation at the Roncerey abbey in Angers in France. In 2006 he received the Cisdac international prize for contemporary art. In 2012 he exhibited at the international biennial of contemporary art in Casablanca.From 2016 to 2019 he exhibited at the Museo della Follia curated by Vittorio Sgarbi. This year he created the "Markandeya" installation for Andrea Bocelli's theater of silence curated by Alberto Bartalini and Carlo Alberto Arzela.

Vasya Dmytryk was born in 1991 and graduated from the Grekov Art School in Odesa, Ukraine. Vasya works in the fields of public art, sculptures, and installations.
In his artistic practice, he uses recycled and discarded materials, wood, metal, stone, styrofoam, and composites. In his sculptures, Vasya blurs boundaries between flatness
and dimensionality, formalism and conceptualism. Dmytryk's pieces thread figuration and abstraction, they nevertheless recall classical figurative traditions across a range of cultures and historical periods.