10 Questions with Roger Mujica

Roger Mujica, an award-winning international photographer based in São Paulo, Brazil, blends over 35 years of artistic pursuit with a foundation in Architecture and Interior Design. His journey began with a simple point-and-shoot camera, evolving into a profound exploration ever since.

Nature is his ultimate muse, with its intricate forms, shadows, and ever-changing movement inspiring his creative process. His versatile portfolio spans architectural precision, evocative landscapes, intimate portraits, fine art, and digital mixed media. Each photo transcends traditional boundaries, weaving stories that challenge perceptions and enrich the human experience.

Roger views photography as a universal language—a bridge connecting cultures and conveying knowledge. Author of his book Captured Moments: Embracing the Art of Photography, he shares insights and celebrates the enchantment of capturing life's fleeting beauty, inspiring audiences to experience the world through a lens of wonder and depth.

www.rogermujicaphotography.com | @rogermujicaphotographer

Echoes of Places and Moments | Project Description

"Echoes of Places and Moments" is a visual symphony where each photograph captures the delicate interplay of memory, space, and light. This collection invites viewers on a journey through diverse geographies, moods, and narratives, unified by an exploration of time's impact on the world.

From the faded elegance of a Belle Époque staircase to the resilience of a weathered train car, these images reveal stories etched into architecture and objects. Vibrant sunsets, icy landscapes, and tranquil shorelines reflect nature's ongoing dialogue with humanity. Each photograph becomes a fragment of a broader narrative—a reflection on the layers of life-shaping spaces and moments.

Urban streetscapes merge with nature's serenity, while abstract light forms evoke time's fleeting passage. Together, these images weave structure and emotion into a cohesive narrative, inviting reflection on the beauty found in the ephemeral and the enduring.

INTERVIEW

How did your journey into photography begin, and how has your background in architecture and interior design influenced your work?

My dad was the one who introduced me to photography. He had a camera in his hands wherever we went, capturing every moment of my childhood. He wasn't just taking pictures—he was documenting our lives in a way that felt both ordinary and magical. Back then, everything was shot on film, and he loved using slide films. To view those photos, we'd gather around a slide projector, watching them come to life on the wall, almost like our own little movie theater.
I still vividly remember the first time he took me to a real movie theater. It was 1974, and we watched Animals Are Beautiful People, directed by Jamie Uys. For an 8-year-old boy, it was a transformative experience. Moving from still photographs to animated, moving images opened up an entirely new world for me. Suddenly, everywhere I looked, I began to see the world differently—as framed photographs in motion, where light, action, and storytelling came together.
From as early as I can remember, I've been drawn to visual arts and fine art. Over time, I've come to believe this love for creativity and aesthetics is rooted in my northern Italian heritage. However, my dad had a different vision for me. He wanted me to study mechanical engineering, while my heart was set on art. To keep the peace, I ended up pursuing Computer Programming in college.
Eventually, I found my way back to my passion. After completing my programming studies, I enrolled in an Architecture degree program. Later, in New York, I earned a diploma in Interior Design. It was during those years that I realized my approach to design was deeply artistic. For me, space planning wasn't just about functionality—it was like crafting art on a three-dimensional canvas. I sought to create spaces that were optimized yet beautiful, balancing colors, textures, and geometry to evoke harmony and purpose.
I've always been captivated by geometry, light, and shadows. And colors—they've always been my greatest love. They speak to me in a way words never could, bringing life, depth, and emotion to every project I touch.
My background in architecture and interior design has only deepened this connection, teaching me the importance of structure, balance, and the interplay of light and shadow. Together, they've shaped how I see the world—not just as it is, but as it could be—through the lens of possibility, beauty, and the timeless dance between emotion and form.
Through photography, I've found a way to weave my life's experiences, passions, and creative instincts into a single,visual narrative.

Why did you choose photography as your primary medium? What does it represent for you, and what sparked your interest in this medium?

I can't pinpoint the exact moment I held my first camera, but I know I was very young. My journey into photography, however, truly began about 35 years ago with a humble Sony point-and-shoot camera. Back then, I was fueled by an insatiable love for design and visual arts. Those early days were filled with endless exploration—capturing the symphony of nature, day and night. I photographed everything: landscapes, people, my travels—always chasing the perfect interplay of light, color, and emotion.
But it wasn't until about a decade ago that I truly embraced photography as my primary medium of expression. That shift began to take shape during the pandemic, a time of profound isolation and reflection. Confined to my apartment, I finally had the space and time to fully immerse myself in photography. By then, I had already taken several classes and learned the technical aspects of the craft. But during those long, quiet months, I delved deeper into the creative process, weaving my architectural knowledge of structure, space, and light into my work.
Photography became more than just a hobby or a skill—it became my voice, a way to channel my long-held desire to create art. It was during this time that I began to truly see photography as my path to fine art, a medium through which I could merge my passions and communicate my vision.
As I immersed myself in the history and possibilities of photography, I became fascinated by its transformative role in the world of fine art. I discovered how, in the 19th century, photography challenged and enriched traditional art forms, particularly painting. The interplay between these two mediums—their mutual influence—was revolutionary, pushing the boundaries of artistic expression.
That realization was pivotal. It resonated deeply with my own aspirations. I wanted to be part of that continuum—to contribute to the ongoing dialogue between photography and other art forms, to innovate, and to expand my own creative boundaries.
Photography is my way of transforming the world I see into art, blending my love for fine art with my passion for storytelling. Photography, for me, isn't just a craft; it's a journey of self-discovery and endless possibility.

Your portfolio spans diverse genres, from landscapes to fine art and digital mixed media. How do you approach working across these different styles?

Photography is more than a medium for me—it's a reflection of who I am, an explorer of light, texture, and emotion. Each genre I work with offers a unique opportunity to express my vision and connect deeply with others. So, I love all genres of photography. Let me share how I approach them.
Landscape Photography: Nature has always been my muse. The shapes, colors, and interplay of light inspire me endlessly. Capturing landscapes feels like an emotional journey—a way to share the awe and wonder I feel for the grandeur of creation with others. Each image carries a story that connects deeply with my reverence for the natural world.
Architectural Photography: In the realm of architecture photography, I find myself profoundly connected to three core elements: Design, Aesthetic, and Art. Every structure tells a story through its forms, shadows, and light. My goal is to translate the architect's vision into a visual narrative, revealing not just the physical structure but the essence of its beauty and purpose.
Portrait and Fashion Photography: For me this genre of photography is about connection. Building a bond with the models and the people I photograph allows me to capture their unique essence and personality. It's not just about creating beautiful images—it's about telling their stories in a way that feels authentic and resonates with the viewer.
Product and Still Photography: Photographing stills and products isn't just about showcasing inanimate items but abouttelling their story. I aim to highlight a product's essence, merging its aesthetic appeal with a sense of authenticity that builds trust and communicates its value.
Travel Photography: Travel photography is my window to the world. Exploring different landscapes, cultures, and traditions allows me to document the soul of a place and its people. I've been blessed to travel to some of the most beautiful places in the world as a solo photographer and capturing images that can have meaningful messages; the art of bringing a destination to life and inspiring others to see the world from its realistic and unique perspective. Through my lens, I capture fleeting moments and tell stories that preserve the history and culture of the places I've been fortunate to visit.
Artistic Photography: Art is the soul of my work. Through artistic photography, I express how I perceive the world creatively and uniquely. I use elements like light, form, and texture to evoke emotion and encourage viewers to see beyond realism. This is where I push boundaries, embracing the unknown to create work that is deeply personal and authentically mine.
I try to embrace the unknown and explore new avenues of creative expression, meaning, stepping outside traditional photographic techniques and pushing the boundaries of what is possible, allowing me to personalize my own work art, leading my lens to be focused on authenticity and a heart attuned to the stories behind each image to reflect beauty and resonate with deep, personal meaning, a message with a subjective intent to encourage the viewers to see these pictures from another perspective beyond realism.
So really each genre I explore is part of my creative journey, allowing me to connect with the world and tell stories that resonate deeply—with others and with myself.

In your book Captured Moments, you discuss the art of photography. What inspired you to write this book, and what message do you hope readers take from it?

Photography has always been more than a pastime for me—it's a profound way to tell stories, connect with others, and see the world through a lens of beauty and emotion. Writing Captured Moments felt like a natural extension of my lifelong journey with photography. It was an opportunity to reflect on years of exploration, growth, and the magic of capturing life's fleeting moments and sharing them with others.
The creation of this book was a journey marked by devotion and perseverance, one that pushed me to my creative and emotional depths. I spent months immersed in research, gathering insights and shaping ideas that could truly capture the essence of photography. Each word and image were carefully crafted to create something that would resonate with readers at every stage of their journey—from beginners just discovering the art to seasoned photographers seeking fresh inspiration.
One reader's heartfelt note truly touched me: "I felt I was reading one of the most beautiful poetries about photography. In fact, I want to do photography now. Your book was so inspiring that I read it in two days." This kind of response reminds me why I poured so much of myself into this project. It was never just about assembling information—it was about creating an intimate narrative that inspires readers to see photography as a means of self-expression and discovery.
An essential part of this process was translating Captured Moments into Spanish, Italian, and Brazilian Portuguese. While this was a daunting challenge, it was also deeply rewarding. It required intense effort but allowed me to share my story and passion for photography with more people, connecting across cultures and languages.
With Captured Moments, I hope to ignite a spark of creativity and curiosity in every reader. I see this book as more than just a guide—it's a mentor and a companion, encouraging readers to form a deeper connection with their surroundings and approach their craft with a reflective, artistic mindset. My goal is to inspire others to discover their own unique perspectives and transform how they perceive and document the beauty of life. This book is my way of sharing not just techniques, but a way of seeing the world with wonder and intention.

Your series Echoes of Places and Moments captures memory, space, and light. Can you share the story behind this series?
I've been fortunate to live a fulfilling life, filled with travel and meaningful connections—not just with places but with people. Each person's life is shaped by moments, places, and events. Some leave a profound mark, while others pass quickly, almost unnoticed. I approach life as if everyday could be my last, capturing moments as if leaving behind a fingerprint of memory—a unique imprint that endures long after the moment has passed.
With Echoes of Places and Moments, I set out to create a visual symphony where each photograph captures the delicate interplay of memory, space, and light. This series invites viewers on a journey across diverse geographies, emotions, and stories, unified by an exploration of how time leaves its mark on the world around us.
From the faded elegance of a Belle Époque staircase to the quiet resilience of a weathered train car, these images tell the stories embedded within architecture and objects. The fiery hues of sunsets, the stark beauty of icy landscapes, and the poetic solitude of a marina reflect nature's eternal conversation with humanity. Each photograph represents a fragment of a greater narrative—a reflection on the layers of life that shape the spaces we inhabit and the moments we cherish.
This series bridges the serenity of natural landscapes with the vibrancy of urban environments. Abstract light forms evoke the fleeting nature of time, while architectural structures stand as symbols of endurance. Together, these images weave a cohesive narrative, merging structure and emotion into a meditation on the connections between place, memory, and light.
Echoes of Places and Moments is an invitation to reflect on the beauty found in both the ephemeral and the enduring—a celebration of the spaces we inhabit and the fleeting instants that shape our lives.

What inspired you to create this project? And what was your creative process like?

The inspiration for Echoes of Places and Moments came from a deep desire to explore the way time, memory, and light shape the spaces we inhabit, especially mine. My travels and encounters with diverse people and places have shown me how every moment leaves its mark on me. This realization sparked the idea for a project that captures these imprints and transforms them into a visual narrative. I wanted to create something that resonated emotionally with viewers, inviting them to see the beauty in both the transient and the timeless.
The creative process for this series was both reflective and deliberate. It began with a simple intention: to see the world through fresh eyes, finding stories in everyday details. I aimed to compose each photograph with the intention of evokinga sense of connection, whether through the elegance of a staircase, the resilience of an abandoned train car, or the vibrant glow of a sunset.
My process involved spending time in each setting, absorbing its essence and how it interacted with light and space. Alength of more than 18 years of photographs. I allowed the environment to guide my vision, blending architectural elements with nature's rhythms. I also experimented with perspectives, textures, and color to emphasize the interplay between structure and emotion.
This project was as much about observation as it was about creation. By focusing on the subtle dialogues between memory and place, I aimed to craft images that feel like fragments of a larger story—moments suspended in time yet deeply personal. For me personally, resulting in a series that celebrates the beauty of life's impermanence and the timeless marks it leaves behind.

Your work often explores the interplay between urban and natural environments. How do you create a balance between these contrasting elements in your photography?

From a young age, I've had the privilege of experiencing both the vibrancy of urban life and the serenity of nature, thanksto my father, who often took us on trips to beaches, large farms, and other natural landscapes, even though we lived in a bustling city. This dual exposure became a cornerstone of my perspective, shaping the way I see and interact with the world around me.
Nature has always been my muse—a source of inspiration, calm, and connection. At the same time, I am undeniably a city boy. I thrive on the energy, structure, and rhythm of urban environments. Having lived in some of the most dynamic cities in the world—New York, Chicago, Los Angeles, and now São Paulo—I've developed a deep appreciation for the stories cities tell through their architecture, streetscapes, and people. Yet, in each of these places, I have always sought out green spaces as a sanctuary within the chaos.
In New York, for example, I lived near Central Park, and my daily walks there were a meditative escape, a way to reconnect with nature amidst the towering skyline. Similarly, in São Paulo, I find solace in Ibirapuera Park, which offers a much-needed breath of greenery in the heart of this vast metropolis. Even when I lived on a Caribbean island, with the ocean at my doorstep, I found myself drawn to the interplay of human habitation and natural beauty—the waycommunities adapt and coexist with their environments. These experiences have profoundly influenced how I approach my photography.
As an architect, I've always been fascinated by the structure, concept, and organization of cities—their patterns, contrasts, and evolution. This professional lens gives me a unique appreciation for the man-made aspects of urban life, from the soaring skyscrapers to the intricate details of a well-designed street corner. Yet, as a photographer, I am equally drawn to the organic, unstructured beauty of nature—its light, textures, and the way it weaves itself into the fabric of urban life
For me, creating a balance between urban and natural elements in my photography isn't just a technical challenge; it's a reflection of my life's experiences and values. I strive to capture the tension and harmony between these worlds—the way a tree's shadow dances on a concrete wall, the juxtaposition of a bird's nest tucked into a steel beam, or the quiet resilience of a patch of grass pushing through a crack in the pavement. These moments remind us that even in the most urbanized environments, nature finds a way to coexist, sometimes subtly, sometimes boldly.
Ultimately, my work is about storytelling—exploring how these contrasting elements aren't just in opposition but are interconnected and interdependent. It's about finding beauty in contrast, balance in duality, and meaning in the spaces where the natural and the urban meet. Through my lens, I hope to inspire others to appreciate this interplay, to see the world not as divided between nature and city, but as a beautifully complex, interwoven tapestry.

Photography is often described as a universal language. How do you use your art to connect cultures and convey knowledge?

This question resonates deeply with me because connecting with people through my photographs is at the very heart of what I do. Photography, to me, is more than just capturing a moment; it's a powerful, universal language that transcends words. I remember the first time I stepped into a movie theater with my father, watching stories unfold on the big screen. It was at that moment I realized the profound ability of images to communicate ideas and emotions that go beyond spoken language. Photography, like film, speaks directly to the soul, conveying layers of meaning that words often can't express.
Through my lens, I aim to build bridges—not just between cultures, but also between people and their own sense of curiosity and understanding. I focus on creating a visual language that is universally relatable, inviting viewers to see the extraordinary in the ordinary. My goal is to celebrate cultural diversity by capturing moments that reflect the richness of human traditions, histories, and identities, weaving them into a tapestry that everyone can appreciate and learn from.
Photography's accessibility is what makes it so powerful—anyone, anywhere, with a camera in hand, can share their perspective. I take this to heart by using my art to highlight the beauty of cultural differences, but also the shared humanity that unites us all. Whether it's a moment of joy, struggle, or resilience, I strive to capture the universality of emotion, creating a sense of connection that transcends geographic and cultural boundaries.
I also see photography as a door—a way to enhance understanding and inspire learning. My work often touches on disciplines like history, geography, and social studies, offering glimpses into lives, traditions, and environments that might otherwise remain unseen. Through my images, I aim to promote awareness of critical global issues, from climate change to social justice, encouraging collective action and fostering dialogue.
Above all, I use photography as a tool to connect people—not just with my subjects or with me, but with each other. When viewers look at my work, I hope they see a reflection of themselves and the world around them, sparking curiosity, empathy, and a deeper appreciation for the intricate mosaic of human experience.
There's so much I could share about how I use my art to connect cultures and convey knowledge, but at its core, my goal is simple: to remind us all of our shared humanity and the beauty of coming together through understanding and respect.

Looking ahead, are there any new themes, projects, or techniques you're excited to explore in your photography?

I'm so glad you asked. Absolutely, yes! The future holds countless exciting opportunities for me to grow and explore as a photographer. Right now, I'm deeply immersed in studying Fine Art Photography, diving into techniques that will not only challenge me but also add new layers of depth to my work. Among the many things I'm experimenting with, I'm particularly captivated by the idea of hand-painting photographs and incorporating acrylic painting. I've already begun working on two photographs using these techniques, and I'm also venturing into digital painting. The intersection of photography and abstract impressionism fascinates me—exploring digital overlays and hands-on techniques like solarization, image transfer, bas-relief, and photomontage is opening up entirely new creative dimensions for me.
In addition to the technical aspects, I've been drawing inspiration from the rich history of art and music. Studying the lives and works of great artists throughout history and immersing myself in classical music from the masters brings a profound sense of connection and creativity to my practice. These influences are shaping my vision, adding layers of meaning to the photographs I'm now working with.

As we are about to start a new year, what is your biggest goal for 2025, and how do you see your work evolve in the next few months?

Looking ahead to 2025, my biggest goal is to deepen the connection between my art and the people it reaches. This year, I want my work to transcend borders—both literally and metaphorically. As I embark on a five-month journey across Europe, Asia, and South Africa, I see this as an opportunity to not only explore the incredible diversity of these regions but also to reflect the universal threads that connect us all. My work will evolve to embrace even more cultural depth, emotional resonance, and artistic experimentation. Each project I've planned is a step toward creating photographs that are not just visual pieces but also profound experiences for the viewer, offering a window into the soul of humanity and the world we inhabit.
In Europe, for instance, I've organized two cornerstone projects. The first, Faces of Europe: A Cultural Mosaic, will celebrate the diverse expressions and traditional attire of individuals from various regions. It's my way of paying homage to the rich heritage of this continent while highlighting the shared humanity that unites us across borders. The second project, Urban Souls: The Spirit of European Cities, takes a more contemporary approach. I want to immerse myself in the heartbeat of urban life, capturing candid moments that reveal the stories of city dwellers, the charm of small villages, and the architectural beauty and history that shape these places.
When I shift my focus to Asia and South Africa, I'm equally excited to bring to life projects that delve into resilience, celebration, and cultural richness. Portraits of Resilience: Stories from Asia and Africa will center on the strength and individuality of people in these regions, telling stories that transcend cultural and geographical boundaries. This project is about humanity—its trials, triumphs, and the beauty of its diversity. Similarly, Vivid Traditions: The Colors of Celebration will document the vibrancy of cultural festivals and ceremonies. Through candid and staged portraits, I want to capture the artistry, emotion, and movement that define these moments, creating images that pulse with life and color.
These projects reflect my broader vision for 2025: to explore, to connect, and to create. During the pandemic, I outlined clear goals for 2021 to 2024, which unfolded beautifully and brought new dimensions to my photography. Now, I'm building on that momentum, entering this new year with both a clear sense of direction and an openness to the unexpected. I know there will always be room for spontaneity and surprises, but my commitment remains steady—to create art that resonates, inspires, and offers a glimpse into the profound beauty of the world and its people.
Photography, for me, is not just about capturing moments; it's about weaving a tapestry of emotions, stories, and connections. As I step into 2025, I aim to push my boundaries, experiment with new techniques, and bring fresh perspectives to my work. Whether through abstract impressionism, hand-painted photographs, or candid portraits, my ultimate goal is to create artwork that speaks to the soul—simple yet profound, clear yet layered with meaning. It's my way of sharing with the world what I see, feel, and believe: that art can bridge divisions, spark dialogue, and remind us of the beauty in our shared humanity.

Artist’s Talk

Al-Tiba9 Interviews is a promotional platform for artists to articulate their vision and engage them with our diverse readership through a published art dialogue. The artists are interviewed by Mohamed Benhadj, the founder & curator of Al-Tiba9, to highlight their artistic careers and introduce them to the international contemporary art scene across our vast network of museums, galleries, art professionals, art dealers, collectors, and art lovers across the globe.

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