Ramón González Palazón is a multidisciplinary artist working in painting, drawing, video creation, installation, and filmmaking. His practice seeks to transform real spaces, merging the human and the material, using interactive devices to generate new interpretations of physical environments. In his latest compositions, he reflects on the natural process of atmospheric elements.
Thomas C. Chung is a Chinese-Australian contemporary artist based in Helsinki & Sydney. His latest project, the exhibition The Sea That Stands Before Me…, contemplates the notion of one's devotion to living as a form of armament. Chung's conceptual practice continues its inquiries into psychology, folklore, mythology, and philosophy, binding them as a cohesive tale.
Jewan Goo is a research-based photographer who focuses on reexamining and reconstructing the fading history of Korea during the Japanese colonial period. His work is deeply connected to contemporary issues within institutional archives and history education, which are often biased and subject to political control or censorship by governmental or educational authorities.
Intertwining discourses around labyrinths, social anxiety, and post-truth, Junshu Gu’s work is rooted in rhizome theory and draws from her 13 years of experience in interdisciplinary, culture-related media work and her profound expertise. Her practice incorporates painting, sculpture, and time-based media, appearing minimal and abstract, yet formally lithesome and precise.
Hanna Tzong-Han Wu is a Taiwanese choreographer and dancer based in Los Angeles, California. The dance language that lies between Western contemporary, hip-hop, and martial arts punctuates her signature style. Hanna is most interested in creating works that reflect on humans and humanity and believes that arts are the reflection of society. In her work she blends arts, culture, society, humans, and self.
Aristo Vopĕnka explores the boundaries between photography, illustration, painting, and print. Using an experimental attitude towards these different media, new forms of expression take place. They are the beginning of a contemporary reinterpretation of expressionism which he has started to call experiential expressionism.
Ronit Keret’s recent work deals with the ecological crisis, the melting glaciers that have been changing due to the nature of human activity. The Installations that Keret creates are formed as a reaction to the given display space and the nature of the material she uses itself. Keret describes the transitions between good and evil in looking at human and nature relations and the gap between childhood dreams and catastrophic reality.
Every technical and philosophical facet of Lorette C. Luzajic’s art is committed to the application of mixed media, redefining the term to include concepts and ideas as well as tangible physical materials. This cross-genre pasticcio is born from and dependent on collage, which naturally experiments with subliminality, intercontextuality and the unexpected narratives that emerge from both playful and planned juxtapositions.
