Thomas C. Chung is a Chinese-Australian contemporary artist based in Helsinki & Sydney. His latest project, the exhibition The Sea That Stands Before Me…, contemplates the notion of one's devotion to living as a form of armament. Chung's conceptual practice continues its inquiries into psychology, folklore, mythology, and philosophy, binding them as a cohesive tale.
Jewan Goo is a research-based photographer who focuses on reexamining and reconstructing the fading history of Korea during the Japanese colonial period. His work is deeply connected to contemporary issues within institutional archives and history education, which are often biased and subject to political control or censorship by governmental or educational authorities.
Intertwining discourses around labyrinths, social anxiety, and post-truth, Junshu Gu’s work is rooted in rhizome theory and draws from her 13 years of experience in interdisciplinary, culture-related media work and her profound expertise. Her practice incorporates painting, sculpture, and time-based media, appearing minimal and abstract, yet formally lithesome and precise.
Hanna Tzong-Han Wu is a Taiwanese choreographer and dancer based in Los Angeles, California. The dance language that lies between Western contemporary, hip-hop, and martial arts punctuates her signature style. Hanna is most interested in creating works that reflect on humans and humanity and believes that arts are the reflection of society. In her work she blends arts, culture, society, humans, and self.
Zihao Zhou is a Chinese fashion designer based in London. His art explores the connections between the macro and the micro, revealing the hidden wonders of the world. In 2024, he took a leap of faith and launched his own eponymous brand, Illogic, in London. With a blend of traditional craftsmanship and contemporary aesthetics, Zihao aims to carve his unique mark in the fashion industry.
Ellen De is a visual artist who uses photography as her primary medium to explore the intersections of architecture, abstraction, and social critique. Her work reimagines brutalist structures as sculptural forms, detaching them from their historical and ideological contexts. By emphasizing form over function, Ellen's photographs transform iconic architectural symbols into evocative remnants of unrealized utopias.
