Helena Eribenne, a London-born multimedia artist of Nigerian descent, works across film, photography, performance art, theatre, installation, and music. Her work critiques post-colonialism, using 19th-century tools like the magic lantern and panorama to challenge colonial narratives embedded in the collective unconscious.
INTERVIEW | Jewan Goo
Jewan Goo is a research-based photographer who focuses on reexamining and reconstructing the fading history of Korea during the Japanese colonial period. His work is deeply connected to contemporary issues within institutional archives and history education, which are often biased and subject to political control or censorship by governmental or educational authorities.