Intertwining discourses around labyrinths, social anxiety, and post-truth, Junshu Gu’s work is rooted in rhizome theory and draws from her 13 years of experience in interdisciplinary, culture-related media work and her profound expertise. Her practice incorporates painting, sculpture, and time-based media, appearing minimal and abstract, yet formally lithesome and precise.
Hanna Tzong-Han Wu is a Taiwanese choreographer and dancer based in Los Angeles, California. The dance language that lies between Western contemporary, hip-hop, and martial arts punctuates her signature style. Hanna is most interested in creating works that reflect on humans and humanity and believes that arts are the reflection of society. In her work she blends arts, culture, society, humans, and self.
Zihao Zhou is a Chinese fashion designer based in London. His art explores the connections between the macro and the micro, revealing the hidden wonders of the world. In 2024, he took a leap of faith and launched his own eponymous brand, Illogic, in London. With a blend of traditional craftsmanship and contemporary aesthetics, Zihao aims to carve his unique mark in the fashion industry.
Tong Tong is a cutting-edge fashion designer and creative based in New York City. Tong's designs draw inspiration from a rich tapestry of influences, including personal memories, a profound passion for fashion history, and an adventurous exploration of materials. His collection Home Alone draws inspiration from a cherished childhood memory, the clandestine explorations into his parents' wardrobe.
Qibai Ting is an artist currently based in Beijing and London. Her practice mainly focuses on narrative objects and sculptural installations. Qibai is interested in stargazing activities, and she considers her works as “constellations”. Living very close to forests and mountains, she identifies with the philosophy of nature and practices within landscape.
Jose Cruzio’s research addresses different concepts such as the continuous questioning of the "place" as far as artistic creation is concerned. It will bring about both collaborative practices and individual ones, and it unfolds in different projects, each one recurring to a dominant artistic subject matter and its media, practices, and achievements according to the research lines of each one of them.
Giuseppe Francavilla tries to make the documentary discourse something universal starting from the particular. He dedicates himself mainly to street and documentary photography, working and exhibiting internationally. For Francavilla, photography must not only archive visions of the present but also be the object of evaluation and criticism of the territory for the future.
