Asiya Al. Sharabi is a Yemeni/American visual artist whose work has gained recognition both nationally and internationally. Currently based in the US, she initiated her career as a journalist and photographer before shifting her focus to artistic photography. Her artistry is rooted in capturing the challenges faced by Middle Eastern women, young adults, and immigrants, a perspective that profoundly influences her creations.
INTERVIEW | Yue Wu
Formed and influenced by a family legacy of glass artistry, Yue Wu began his journey by accompanying his father on global artistic expeditions. Drawing inspiration from giants, childhood memories, urban life, and human consciousness, Wu's art deeply resonates with our world. His diverse portfolio includes videos, handcrafted installations, and photographs.
INTERVIEW | Xinyu Gao
Xinyu Gao is a visual artist and photographer who specializes in fine art photography and experimental images. Obsessed with the visibility and invisibility of aesthetic and cultural diversity, she is inspired by echoes from pictorialism in her initial creation and constantly pricked from the perception of embodied senses, experience, emotion, and memory.
INTERVIEW | Wictor Doarte
Wictor Doarte is a Brazilian artist who lives in the capital of São Paulo. Through his work, he seeks to shgowcase the loneliness that exists in the crowd. Today, no matter how much we are surrounded by people, wherever we may go, it doesn't mean we are not alone. Wictor brings to light the presence of Being with himself, trying to unravel the mysteries and complex issues of each person from afar.
INTERVIEW | Masaki Iwabuchi
Masaki Iwabuchi is a New York-based interdisciplinary designer, artist, and futurist. Masaki believes we need alternative visions and worldviews to overcome numerous wicked problems in this century, such as climate change, forced migration, political and social polarization, etc. Therefore, he is interested in challenging our societal structures, vested interests, and Cartesian belief systems through his works.
INTERVIEW | Michael Banifatov
Michael Banifatov is a visual artist and photographer. He holds a degree in economics and management and is also a musician. Originally from Russia and born in Saint Petersburg, he has been living and working in Israel since 2019. His photo projects focus on places, structures, and spaces within the context of history and sociocultural phenomena.
INTERVIEW | Susan Sitko
Susan Sitko is a Polish multidisciplinary artist currently working in Brighton, UK. Her photography series Sensitive Flesh and The Vessel have been recognized for the poetic exploration of moments where humanity merges with the natural world. In both projects, she includes many tactile elements that result in images with a unique sensory quality.
INTERVIEW | Hilda Westergård
Hilda Westergård is a self-taught photographer living in Uppsala, Sweden. Embracing the versatility of both digital and film photography, Hilda navigates the streets with a keen eye and an open heart. Digital technology allows her to react instantaneously to unfolding scenes, while the film adds a layer of nostalgia and authenticity, inviting viewers to step into a timeless dimension of her work.
INTERVIEW | Yu Mao
Yu Mao has established herself as a Multi-Disciplinary Artist based in Los Angeles. Driven by a profound fascination with the intricate dynamics between people of various cultures, genders, and social backgrounds, she skillfully weaves her narratives using symbols, metaphors, and dreams. Her chosen mediums of expression encompass films, installations, sculptures, and photography, each serving as a canvas for her storytelling.
INTERVIEW | Saman Qadir
Saman, also known as The Samaniist, is a talented photojournalist and artist with a rich cultural background. Based in the Bay Area, California, Saman's work is influenced by both her Pakistani roots and American surroundings, resulting in a unique perspective that captures the essence of diverse cultures and stories. With a passion for storytelling through the lens, Saman uses her photography to shed light on the untold narratives of people and places.
INTERVIEW | Lifu Hu
Lifu Hu, originally from Chengdu, China, and now based in New York, works predominantly around her reflections on self-emotions and intimate relationships, exploring her connections with lovers, family, and her own being. Lifu focuses on conceptual photography, still life, and documentary photography, creating visually captivating stories that leave a lasting impression.
INTERVIEW | Connor Daly
Connor Daly is a British fine art photographer from Jersey (Channel Islands), currently based in the UK. His work explores varying levels of colour and compositional effects that provoke spatial ambiguity, using a painterly and abstract style that is evocative of nostalgia, memory, and the passing of time. Furthermore, his work is predominantly concerned with the depiction of a space, exploring broad visual styles.
INTERVIEW | Andrés Mario de Varona
Andrés Mario de Varona was born in 1996 and grew up in Miami as a first-generation Cuban-American with two Cuban families. Art is a tool for Andrés to measure cycles of indignation and healing, our growth as human beings, and as a way to record victories. What he aims to create is an attempt to enter the collective human experience, as well as an access point into himself.
INTERVIEW | Jia Hao
Jia Hao (b. 1990, China) is a visual artist based in the Yunnan province of China, with a BA in Fine Art from the State University of New York in Albany. Jia Hao works predominantly in photography and collage, building surreal narratives within her work. Her main focus is on the human body and the environment, and through her work, she creates a dialogue about the expression and concealment of human identity.
INTERVIEW | Lydia Schreibikus (Suslova)
Lydia Schreibikus (Suslova) is a photographer and screenwriter researching the correlation of different art forms. Her creative practice mainly focuses on photography and film scripts. The photographs reveal the connection between light and form, the destruction of the effect of one-sided visibility. Light does not just show the object but creates the composition itself; all that remains is to see and capture the moment before it crumble.
INTERVIEW | Aleksandra Vizin
Aleksandra Vizin is a creative director and photographer living in Sarajevo. Aleksandra has a direct, somewhat raw approach to photography with limited use of postproduction techniques. She prefers shaping imagination with reality, choosing contrast as a main tool. Using costumes, creating stories, and developing characters, Aleksandra tries to keep elements of surprise, freedom, and uniqueness.
INTERVIEW | Chun Han
Chun Han is a photographer and creative director based in New York. Chun has been creating works focus on Asian women's social dilemmas, photographing Asian women and women's bodies, especially her self-portraits. Her other studio and video work were largely impacted by her theatre background by staging contrasting colors and theatrical effects in the images.
INTERVIEW | Massimiliano Cambuli
Massimiliano Cambuli is a photographer who lives and works between Brussels (Belgium) and Cagliari (Italy). His recent body of work focuses on nudity, which is not the core of his works but rather a phase: “just a narrative ploy,” he says. In a mix of exploration, experimentation, and research, he pushed these works to the extreme borders of graphisms to transfigure reality and drive the viewer beyond aestheticisms.
INTERVIEW | Kwabena Ofori-Darkwa
Kwabena Ofori-Darkwa is a self-taught Ghanaian photographer whose work is based on concepts focusing on nature and its relation and significance to humanity as part of a personal quest to seek a deeper understanding of various aspects of life as has been found as well as to build on the continuous rise of African contemporary photography to add different nuances and perspectives in subsequent conversations.
INTERVIEW | SuJung Jo
SuJung Jo is a Brooklyn-based artist who works with photography, woodworking, and sculpture. Jo uses organza to veil her images, both as a psychological strategy but also an innovative growth in her approach to photography. In doing so, she stretches the boundaries of the two-dimensional photography and integrates it with the three-dimensional possibilities of sculpture.