Ana Pinho Vargas is a Portuguese artist, photographer, and painter based in Vila Nova de Gaia, Porto. Her latest series, Silêncio II, is the result of the junction of two coexisting universes: writing in musical scores and the artist in his most fragile physical humanity, revealing the intimacy of the eye through the close connection between the author and the person being photographed.
INTERVIEW | Marco Almaviva
Marco Almaviva (1934 -) is an Italian painter, the protagonist of a long artistic journey that began in Milan in the early 1960s. Evolving from a testament to life's drama, his practice, which he named Filoplastica, became a metaphor for continuous research that plunges into the depths of matter. His works are effectively "oils on canvas" produced without the canvas to paint on.
INTERVIEW | Ruchita Newrekar
Ruchita Newrekar is a jewelry designer and contemporary jewelry artist. Despite her success in the commercial realm, she remains dedicated to her artistic roots and continues to create one-of-a-kind pieces that showcase her unique artistic voice. Her personal artworks delve deeper into the exploration of connections, emotions, and the transformative power of jewelry.
INTERVIEW | Ekaterina Lestienne
Born in Ukraine, Ekaterina Lestienne is a French digital artist and creator of a colorful world full of positive vibes. As an intuitive artist, Eka is passionate about the harmony of colors. Her works are unique, vibrant, and sparkling. Eka melds the pieces of digitally transformed images together, mixing them with other media creating an intuitive fresh layered imagery.
INTERVIEW | Lewis Deeney
Lewis Deeney is a Scottish painter, currently based in Belfast, Northern Ireland. In his latest series, the Emergence Collection, the thread is meditatively layered upon the painted surface. Through mindful repetitive layering, complex patterns emerge and pockets of order disperse across the canvas. The emergent order created by the thread is contrasted with the expressive application of paint creating transcendent paintings with an iridescent glow.
INTERVIEW | Aomi Kikuchi
Aomi Kikuchi’s work is based on Japanese aesthetic principles and the teachings of the Buddha, such as “Wabi-sabi” and “Mono-no-aware”. It addresses infinity as the succession of fleeting and brittle activities. With freedom and flexibility, she combines acquired knowledge and experiment and creates art to inspire dialogue and reflection on these concepts through materials and aesthetic philosophies.
INTERVIEW | Oussama Garti
Oussama Garti is a Moroccan architectural designer and artist trained at the Architectural Association in London. Fascinated by the infinite amount of similarities between macro and micro elements around him, Garti explores the idea of perception and works with extensive research to produce his work. His environment and observations fuel his creative process.
INTERVIEW | Basma Alshather
London-based artist and designer, Basma Alshather has turned her art into fashion. A former ceramicist, her current practice is printmaking. She designs slow and ethical collections of scarves. Her methodology uses hand-painted art, translating it onto textiles using various textures, fibres, and colours. Her art is an expression of the moment that can manifest in different forms, experimental and intuitive and precise with sureness.
INTERVIEW | Maja Malmcrona
INTERVIEW | Sam Kelly
The drawings that Sam Kelly creates express a raw and energetic approach. He repeatedly works and reworks the image. The surfaces are dense and textural. Often using a somber color palette, his work takes on a mysterious and darkened mood. The imagery in Sam’s work is not pre-determined, but rather discovered through his laborious process.
INTERVIEW | Tris Bucaro
Tris Bucaro is a visual artist whose practice confronts self-image, intimacy, and gesture through photography, film, sculpture, and performance. His research considers the location of the self within an image and the oscillation between totality and impermanence, utilizing the self-portrait as a means of examining the regenerative nature of a photograph.
INTERVIEW | Elvin Ou
Elvin Ou is a New York based multidisciplinary artist and a visiting assistant professor at Pratt Institute. He finds his inspiration in the intersection of digital media and the physical environment. With a background in interior design and interactive design, he believes that storytelling is the key to unlocking the nuance between digital and physical.
INTERVIEW | Samanta Masucco
The Argentinian artist Samanta Masucco builds her artworks from contemplation, dialogue, and interaction with nature and socio-cultural reality. She explores the intimate encounter of elements, cycles, and poetics using paintbrushes, colors, and textures as creationist instruments of the visual gesture.
INTERVIEW | Bob Landström
Bob Landström is an American artist who primarily works with crushed, pigmented volcanic rock. His abstract paintings, with their highly granulated texture and color combinations, only achieved through such a medium, reconsider our relationship with “primitive” art by elevating the iconography of ancient languages, science, religions, and mysticism.
INTERVIEW | Josefina De León
Josefina De León’s technique is based on acrylic. She explores a different world, full of textures, colors, and sensations with her paintings. Through each work, she seeks to transmit the peace and joy that she feels when creating, making every piece so unique that they can fill any space with light and energy. She considers art as a doorway to freedom and her own female empowerment.
INTERVIEW | Salvatore Mauro
Salvatore Mauro is an award-winning Italian artist. His art opens in two directions, the first is a more performative expression, where the central element is the interaction with the viewer of which he becomes the protagonist. The other concerns sculptural elements, which he calls "lightboxes and constellations", which are created to last over time.