Xue'er Gao’s work is grounded in her background in studio art, particularly in book, printmaking, and papermaking, where she learned and practiced various techniques, later combining them in multiple editions. She has also honed her photography skills, film and digital, and combined them with her practice. She has spent significant time studying traditional Chinese crafts and culture, observing nature, and paying attention to her surroundings.
INTERVIEW | Stefano Scarafia
Stefano Scarafia is an Italian filmmaker and visual artist. In his collages, the images take on the form of geometries, simple subjective mental suggestions, pure imagination, and pieces of fantasies. His collages are assemblages of remnants, attempting to forge an emotional connection with the observer. They challenge their perception of reality, offering a moment of disorientation.
INTERVIEW | Delphine Cuelenaere
Delphine Cuelenaere is driven by curiosity in both subject and method. The technique of woodcarving gives her the opportunity to be surprised by the material. Open-minded departures from the unknown and a radical openness to not knowing what will come are the essence of her artistic process. Slowly and unpredictably, scenes emerge in which voyeur and protagonist, spectator and artist, intertwine.
INTERVIEW | Hall'Makwanda
Hall'Makwanda is a collective composed of Julia Hall and Matisse Makwanda, both of whom are transdisciplinary artists. Their individual work led them to explore artistic collaboration in 2016. With a keen interest in symbolism, experimental languages, and new media, the duo explores the realms of alchemy and active spirituality; each creation serves as an opportunity to delve into the multidimensionality of human existence.
INTERVIEW | Hee Jung Han
Hee Jung Han is a visual artist living and working in South Korea. Her newest series, “Landscape of Pli,” is a process of exploring the ‘multiplicity’ inherent in humans living in the hyper-connected era where truth and lies, real and fake, are mixed. This this ever-changing landscape reminds her that the truth she knows or understands can be meaningless.
INTERVIEW | Celine Chan
Celine Chen is a novel artist in Hong Kong. Inspired by the Russian paper-quilling master Yulia Brodskaya, Celine never stopped practicing and devoted herself ardently to creating paper-quilling art. Her artworks have a strong personality, with gorgeous integration of Oriental culture. She is one of the few Asian artists engaged in the creation of paper quilling.
INTERVIEW | Ray Besserdin
Ray Besserdin has established a 32-year career that is recognised internationally with over 35 awards to date. He sculptures artworks dimensionally much like bas-reliefs working with “a palette of sheet-formed papers” that offer a wide spectrum of colours, textures, solidity, and delicate translucency. The stocks are mostly mould-made or handmade cotton, mulberry (Kozo), hemp and flax stocks from Europe and Asia.
INTERVIEW | Cynthia Grow
Cynthia Grow's work is informed by literature, poetry, philosophy, and film. She explores the interstices between art and language, engaging themes of memory, desire, and complex interpersonal relationships, playing on the idea of ambiguity, the liminal, and the spaces in between. Her latest series, Love Letters, is a collection of love letters by famous lovers throughout the ages.
INTERVIEW | Sam Heydt
Sam Heydt is an American social practice and recycled media artist. Working across different media, Heydt presents an abstract proposition for a world on the periphery of history, one that not only appears haunted by the ghosts of the past but built on it. Her work has been shown in galleries, museums, art fairs, and film festivals worldwide.