Artificial

INTERVIEW | Chen Luyao

INTERVIEW | Chen Luyao

Chen Luyao is a Chinese artist currently based in the US, working with jewelry and wearable art. In her latest series of works, Super Glue?, she uses superglue as her primary medium to create jewels and other wearable peaces. Superglue is a commonly used tool to connect objects. It is convenient, versatile, accessible, and easy to apply. In the series it occupies the center stage.

INTERVIEW | David Moješčík

INTERVIEW | David Moješčík

David Moješčík, aka MojDa, belongs to the middle generation of Czech sculptors. In his work, he deals with figurative sculpture. He uses all the advantages of sculpture in terms of material, allowing him to vary his sculptures in many positions, poses, and postures. He uses his own approach and handwriting in these subjects, but he often likes to work with hidden symbols or a greater or lesser degree of irony and exaggeration.

INTERVIEW | Yuguang Zhang

INTERVIEW | Yuguang Zhang

Yuguang (YG) Zhang is a New York-based new media / AI artist. His current practice, which incorporates interactive media, installation, and live performance, explores the connections we make with the ubiquitous AI systems embedded around us, the surprises and struggles we have when we (partially) surrender our authorship to intelligent algorithms, and the cultural & ethical shifts that come along in our society.

INTERVIEW | Ali Fawad

INTERVIEW | Ali Fawad

Ali Fawad is a self-taught digital sculptor/teacher, based in Abu Dhabi, United Arab Emirates. Through working with both camera and computer, he creates images that seek to challenge and problematise traditional conceptions of photography, sculpturing and painting. Techniques and understandings from these fields – such as carving, layering of colour or the interplay of light - are used to produce images that capture the spirit of the locality.

INTERVIEW | Sophie Ruoyu Zhang

INTERVIEW | Sophie Ruoyu Zhang

Sophie Ruoyu Zhang is a Chinese artist, currently based in Brooklyn, NY. Working as a "diffraction apparatus", her practice utilizes multiple natural materials (napa cabbage, wine, coffee, etc.). Her oil painting, printmaking, and performance respond to and reinterpret the natural objects that are in a limbo of recognition, permeating poetics on the threshold of the subjecthood, the recognizable and the representable.