Zhyldyz Bekova is a Kyrgyz painter and digital illustrator. She creates works of art for exhibitions in watercolor, graphics, and mixed media. In her subjects, she uses themes from myths, customs, and traditions of Turkic ethnic peoples of Central Asia. She loves to convey Kyrgyz national motifs using her unique cultural heritage. She came to oil painting in 2020.
INTERVIEW | Maya Smira
Maya Smira is a multidisciplinary artist using video, photography, dance, performance & installation. She explores global and interpersonal issues and is interested in land changes, geographic, social and psychological processes. As a traveling artist, the physical space allows her to express new aspects of herself, while also talking about questions in society and the environment.
INTERVIEW | Wenhui Jiang
Wenhui Jiang is a Chinese designer and artist, now based in London. Sensory experiences in everyday life are central to her practice. Wenhui explores how senses other than sight affect the viewer's experience in space. Her work aims to locate the subtle bonds between people, objects, and the surrounding environment. Her most recent project project is The Soul of Breath.
INTERVIEW | Xiaodong Yu
Yu Xiaodong was born in Qingdao, Shandong, in 1978. He is a member of the China Artists Association. He is currently a teacher at the Academy of Fine Arts of Qingdao University, director of the Printmaking Teaching and Research Section. He is also the earliest researcher and creator of digital printmaking in China, setting a precedent for the creation and teaching of digital printmaking in the country.
INTERVIEW | Celine Chan
Celine Chen is a novel artist in Hong Kong. Inspired by the Russian paper-quilling master Yulia Brodskaya, Celine never stopped practicing and devoted herself ardently to creating paper-quilling art. Her artworks have a strong personality, with gorgeous integration of Oriental culture. She is one of the few Asian artists engaged in the creation of paper quilling.
INTERVIEW | Rena Kubota
Rena Kubota is a freelance illustrator, motion and graphic designer, and art director for the NFT collection. The excitement in her work is seeing people like her work, asking what the piece's meaning may be and why she chose certain details. She wants her story to be a beacon to young artists that struggled, as she did not give up hope in finding a purpose for her art in the professional environment.
INTERVIEW | Yu Yan
Yu Yan is a visual artist based in New York, United States. Primarily working with researched-based projects and site-specific installations, she follows intuitive research pursuits across a variety of disciplines and disparate systems of knowledge. She is interested in the connectedness between personal memory and collective urban scenes, addressing issues around immigration and the diaspora community.
INTERVIEW | Jiayu Liu
Known for her immersive and evocative media installations, Jiayu Liu is a media artist based in Beijing. Jiayu's artwork often recreates and augments the natural world and focuses on relationships between humans, nature, and the lived environment, exploring human behavior and response. Her latest project, Streaming Stillness, has been presented at the 59th Venice Biennale in 2022 for the China Pavilion.
INTERVIEW | Claire-louise Pitman
Claire-louise Pitman is an eco-conscious, disabled, cameraless artist. This is done by using sustainable photographic light processes such as chlorophyll printing, cyanotype printing, and scanography, meaning no harm has been done to the environment. Through her research on visual impairment and Anomia Claire-louise expands her knowledge but still faces accessible barriers along the way.
INTERVIEW | Kang Ma
Kang Ma is a human being born and raised and currently based on the planet Earth. He could also be referred to as a visual artist, currently living in New Haven, CT, and occasionally goes to New York City to teach. Kang believes that artists shouldn't limit themselves to only a few topics and media. However, there are two topics that he has been interested in and explored more than others, translations and connections.
INTERVIEW | Yongqi Tang
The objective of Yongqi Tang’s works is to reinterpret the categories into which we are born to rearticulate the discourse around them. Her studio practices involve a variety of materials such as oil, watercolor, acrylic, and charcoal. Using the dining experience as an entry point, Yongqi’s current works examine the ambivalence to be in the liminal state between the alienation from her country of origin and the displacement at the current settlement.
INTERVIEW | Shou-An Chiang
Shou-An Chiang currently lives and works in London. She works across photography, video, performance, and installation, in which she explores the ambiguity of relationships and identities, and portrays alienation in a pluralistic society from her own experience. Her recent project, QUEERASIAN, portrays queer Asian people in Western society, and aims to show the faces and stories of these communities from an insider's perspective.
INTERVIEW | Kexin Liu
Kexin Liu is a Chinese multi-disciplinary artist and design researcher based in the UK. Kexin has a fascination with everything queer & peculiar. As a generalist, she particularly enjoys developing simple, yet unexpected art narratives/design solutions based on extensive research and collaboration with people from various disciplines. Her latest projects are 2065 and Lost in Translation.
INTERVIEW | Andi Zhang
Andi Zhang is an architectural designer and a visual artist in the architecture field. Andi focuses on using unconventional methods to dive into architecture. Instead of designing conventional independent buildings, she is trying to use other components to build up architecture. Her project Vision is designed as a narrative museum about Movies in Los Angeles.
INTERVIEW | Yihan Wang
Yihan Wang is an illustration student at the School of Visual Arts, focusing on children’s books and book illustrations.
Yihan mainly discusses psychological problems in our society and uses wild animals and insects as symbols to concrete human mood. In his series of watercolor, he uses animals and kids to analyze the psychological burdens of kids in today’s society.
INTERVIEW | Wenxu Zhao
Wenxu Zhao is an illustration artist, born in China and currently living in New York. Her work focuses primarily on invention and fantasy. Her artwork and paintings are inspired by her daydreams, her discovery of beauty in life, her self-reflection, and her views on certain aspects of life. Her purpose is to express her emotions and thoughts while also bringing beauty and warmth to the rush and chaos of modern life.
INTERVIEW | Nouli Omer
Nouli Omer is a multidisciplinary artist, actress, writer, and comedian. ver the years and up to this day, as an autodidact visual artist, her work ranges from drawing to embroidery, assemblages, lighting fixtures, video, and drawing on plates. Alongside her activities as an artist, she continues to act in theater, television series, and cinema, as well as writing and publishing books, personal columns, poems, short stories in magazines, and more.
INTERVIEW | Mariana Arrieta Ibarra
Mariana Arrieta Ibarra is 29 years old and Mexican photographer. Her project Central de Abastos was shot in Querétaro, a city in the center of México. It documents the market called “Mercado de Abastos”. This market is responsible for all the products that the rest of the markets in the city sell, making it the most important. It is a bustling place, without a single minute of silence between its busy streets.
INTERVIEW | Aleš Jungmann
Aleš Jungmann is a photographer from Czech Republic. After a long artistic abstinence, which he interrupted only sporadically, he is now intensively returning to landscape photography. With new energy and passion, influenced by his work as an architectural photographer and using the same medium format digital camera technique, he understand landscape photography as an exploration.
INTERVIEW | Zijun Zhao (Mosa)
Zijun Zhao (Mosa) graduated from the School of Visual Arts in New York City. Her work is based on the recognition and pride of her Asian identity and also the conflict between real life and the illusional world. Every drawing is a process of quarreling with herself that she is creating a world without logic but with order, where she has an opportunity to feel safe.